You don’t need to rebuild your studio. You don’t need to buy a $400 microphone. What you need is a .
That annoying electrical hum, the air conditioner rumble, or the dreaded "room tone" is ruining your masterpiece.
If you apply noise reduction to a vocal track, then render it (bounce it), then import that rendered track into a new project and apply more noise reduction... your audio will turn into mushy, warbled garbage.
Follow these three steps to stay safe:
Stop talking/playing. Let the room tone play for 3-5 seconds. Highlight that section and tell your plugin to "Learn" or "Capture" the noise floor.
Set your reduction amount to between 6dB and 12dB . Do not try to remove 100% of the noise. Remove 80% of it. A tiny bit of ambient noise sounds natural; a totally dead vacuum sounds fake. A Word of Caution (The "Lasagna" Principle) Here is the golden rule of noise reduction:
You don’t need to rebuild your studio. You don’t need to buy a $400 microphone. What you need is a .
That annoying electrical hum, the air conditioner rumble, or the dreaded "room tone" is ruining your masterpiece. reduce noise plugin
If you apply noise reduction to a vocal track, then render it (bounce it), then import that rendered track into a new project and apply more noise reduction... your audio will turn into mushy, warbled garbage. You don’t need to rebuild your studio
Follow these three steps to stay safe:
Stop talking/playing. Let the room tone play for 3-5 seconds. Highlight that section and tell your plugin to "Learn" or "Capture" the noise floor. That annoying electrical hum, the air conditioner rumble,
Set your reduction amount to between 6dB and 12dB . Do not try to remove 100% of the noise. Remove 80% of it. A tiny bit of ambient noise sounds natural; a totally dead vacuum sounds fake. A Word of Caution (The "Lasagna" Principle) Here is the golden rule of noise reduction: