Then came the final project: "Urban Cartographies of Memory: The Avenida de Mayo as a Palimpsest of Dictatorship and Democracy." It was his magnum opus. And for the first time, he wanted the portada to be a threshold, not a wall.
"You violated three of them."
She turned the portada toward him and traced her finger along the ghostly double exposure. "I impose them because most students use decoration as a crutch. A blurry clip art of a book. A drop shadow. A gradient. They do not understand that a cover is an argument. It is the first sentence of your thesis, spoken in the language of space and silence." portadas para trabajos universitarios